星期天下午四我到期待已久的友友
相隔一段不
人的外貌是跟年改
肚子大了
了
面容老
但是唯有不是魂
次的路之young artists workshop
友友文人士他们理念推
新
透接西方的路做起程,造融合又代音
整3 pieces都是原
最感分就是最後piece由全人呈jam後之作
透不同器的分工特色族世界harmony
老我票 才能享受的走之盛宴
陌生人的馨抬
有那位young little boy fan
在conert中找到生命感 一有分moments
就像人
事情不麻 人才是
在度中的真善美永是天堂像徵
我是匆匆一撇又落下去
In the Artist’s own word:
In the process of developing this Tradition and Innovation workshop, I found myself reflecting on the many musical conversations I have had with esteemed colleagues. I drew inspiration particularly from the words of Isaac Stern, who said that musicianship is what happens between the notes, and Daniel Barenboim, who believes that to be part of any artistic endeavor, one has to start from the inside.
Today, the regions encompassed by the historic Silk Road trade routes are home to more than half the world’s population. With continuing improvements in communication and travel, lands that were once considered distant are no longer thought sowe are all becoming neighbors. At the Silk Road Project, we have discovered that our neighbors along that ancient trade route include extraordinary musical innovators, people who are giving new life to deeply rooted traditions.
It is crucial that young musicians have the tools to understand not only their own musical language, but their neighbors’ as well. The young musicians who were selected for this workshop will develop those tools; by watching, playing, and conversing with musicians who speak other musical languages, they will learn “what happens between the notes.” Shared experiences form the basis of communication and will enable the workshop participants to see these traditions, as Daniel recommends, from the inside.
In our increasingly complex world, the Silk Road Project is making a declaration of interdependence. Through a wide variety of programs, including workshops such as this, the Silk Road Project is giving musicians the tools to become active participants in shaping our future musical community.
Yo-Yo Ma Artistic Director, the Silk Road Project
The Silk Road Ensemble:
Yo-Yo Ma, Artistic Director
MEMBERS OF THE SILK ROAD ENSEMBLE
Nicholas Cords, Viola
Sandeep Das, Tabla (Indian drums)
Jonathan Gandelsman, Violin
Joseph Gramley, Percussion
Colin Jacobsen, Violin
Siamak Jahangiry, Ney (Persian bamboo flute)
Kayhan Kalhor, Kemancheh (Persian spike fiddle)
Dong-Won Kim, Korean Percussion
Shane Shanahan, Percussion
Mark Suter, Percussion
Kojiro Umezaki, Shakuhachi (Japanese notched flute)
Wu Man, Pipa (Chinese lute)
Wu Tong, Sheng
Workshop Participants:
Nicholas Finch, Cello
John Hadfield, Percussion
Andrea Hemmenway, Viola
Hui-Chun Lin, Cello
Shaw Pong Liu, Violin
Gascia Ouzounian, Violin
Carmel Raz, Violin
Peter Rosenfeld, Bass
Nadia Sirota, Viola
Rod Thomas Squance, Percussion
Wouter Vercruysse, Cello
Program to be selected from the following:
CHRISTOPHER ADLER Music for a Royal Palace (World Premiere; commissioned by The Carnegie Hall Corporation)
GABRIELA LENA FRANK Ritmos Anchinos (World Premiere; commissioned by The Carnegie Hall Corporation)
OSVALDO GOLIJOV Azul (Chamber version, World Premiere; commissioned by The Carnegie Hall Corporation)
KAYHAN KALHOR The Silent City (NY Premiere; Arr. World Premiere; commissioned by The Carnegie Hall Corporation)
JEEYOUNG KIM Ancient Bell (World Premiere; commissioned by the Silk Road Project)
ANGEL LAM Empty Mountain, Spirit Rain (World Premiere; commissioned by The Carnegie Hall Corporation)
DMITRI YANOV-YANOVSKY Paths of Parables (World Premiere; commissioned by the Silk Road Project)
EVAN ZIPORYN Sulvasutra (World Premiere; commissioned by The Carnegie Hall Corporation)
~~~~~~resources from Carnegie Hall website
「因有了路，在不同的文化中找到了我的音」
~ 路音友友
2004年的端午，在台中市政府的邀下，友友著路合奏於台中，台中成路之旅最美的站。
路是1998年由大提琴家友友所成立，藉由民族家、音家、作曲家及史家的通力合作，搭以音及其他型式及文化之作品，全球的迷更了解西方文化交流的意和容，可是史上最具野心的音史的。
在「路」起人友友的心中，百年前的西文化之前的交流，可能比在更密，友友表示，「交流愈繁，文化也跟著茂盛起，像在中盛世唐朝，的都西安，回教徒、基督教徒、太教徒和波斯人，全都相融在一起」。於是路的概念成音「路」的中心思想，合了中、蒙古、、匈牙利、印度、伊朗、克、塞拜然、塔吉克等21家的音家，自2001年起已行超全球30城市，合、音、研以及教育程等方式，勾勒出一音新世界，形成了一全球的音路，多元文化的因子此交流，放的火花。
~~~~~~resource from 公
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