Jean Renoir 他父P. A. Renoir（1841-1919）童年住的公寓如一方手帕（"a pocket handkerchief," ），他喜在巴黎街道四漫（"In the streets of Paris I felt at home. There were no motorcars then and you could stroll around as ..."）他很省，都泥土部分街道走，以免磨掉鞋子（"I would walk on the soft earth along the side of the street in order to avoid wearing out the soles of my shoes on the hard pavement."）。那候的街道都很小，不屋子多有花，比在的健康（後所林大道的Haussmann 等破者消： The streets were narrow and the central gutter stank a little; but behind every house there was a garden. There were plenty ..."）。
他一直不喜人家把品端在上人欣，所以整修巴黎母院和其周遭境、老市之解等等措施，他生……行人的衣服也完全改了，穿成衣，replaced pride in their profession by this idiotic vanity of trying to look like the bourgeoisie. In consequence , the streets of Paris seem to be filled with supers out of a play by the younger Dumas. And," he concluded, "it’s ..."
那候（1850），沙波德（Charles Baudelaire 1821-67）也在另一空漫：
洲群集蒙田街；在『泰菲戈蒂耶 』可以一口出十位英家之名；些，除了少的家之外，人皆不知也！（沙波德（Charles Baudelaire）《1846年的沙：波德美文》--1846年、1859年，1863年：In 1863 Renoir submitted his "Dancing Esmeralda" to the Salon. The picture was accepted,）
*****
「：此supers什西--人物？」
…….replaced pride in their profession by this idiotic vanity of trying
to look like the bourgeoisie. In consequence , the streets of Paris
seem to be filled with supers out of a play by the younger Dumas.
And," he concluded, "it’s ..."
-- Renoir, My Father
Dumas, Alexandre, known as Dumas fils 182495,【His stage works are notable for skillful construction, though the characterizations are somewhat lacking in vitality.】
rl：「我是的人、的替代品（影像、文字）
例如演，有代的工等等」
hc：「我在字典竟然找不到，出？」（案：其是；不太相信＝extra此有）
rl：「考 supernumerary 之
Definitions:
1. extra: exceeding the usual number
2. human resources substituting: employed as a substitute or extra worker」
hc：「字切的意思如跑套者（也是某典之法，其又不然）：non-speaking or non-singing part」（套, n., actors’ robes with dragon design, generally worn by court attendants or soldiers; such actors: 跑套 to play such roles.
跑套：本舞中，扮演助威喊的或兵卒。後引用替人做些陪或打等要的工作。）
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